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The Basics Photo Quilts

Once again, we come to the point on this blog where it’s reasonable to look into a new quilt type. The reason for this specific interest for this post is because I happened to figure out that making a certain type of quilt is a lot less difficult than I expected. In fact, I’m toying with the option of making one of these for a Christmas present this year.

But I’m getting ahead of myself. First, let’s look at the quilt type I’m referring to, and then we’ll go into the ease and benefits of making one.

The type of quilt in question is a photo quilt, and it gets its name in the way you might expect—it includes photographs in its design. Now, you can order a printed throw like this through a store, but if you’re going to own or gift something that’s as sentimental as a series of personal photographs, it makes sense to add in that additional personal touch of sewing it yourself.Picture 1

Up until recently, I never realized how simple this prospect could be because I couldn’t grasp how printed photographs made their way to a quilt—unless, of course, you bought the quilt that way. As it turns out, the process is actually simple. You can treat it like a general patchwork quilt—so long as you have printable fabric at your fingertips.

With that one addition to your sewing supplies, you can browse through your pictures to find the perfect ones for your project.Picture 3

If you’re going to create a photo quilt for a wedding gift, for instance, concentrate on images of the right couple together. Once you find enough fitting photographs for the prospect, scan them if you only have print copies and get to printing on that fabric! From there, you’ll need to rinse it and iron it to keep the ink from ruining in the wash or bleeding where you don’t want it to go. You can find those details here.

You can pick and choose other fabrics that complement the theme and look of the images to build the rest of the quilt, and you can tend to the trimming and sizing of the photo blocks in the same manner that you would any other fabric style. Essentially, you’re doing nothing differently expect printing and preparing some of your fabric rather than purchasing all of the fabrics already printed.Picture 1

This is a simple prospect, but it’s a wonderful idea to add personalization to quilts for your own home, for a nursery, for a gift… The process shows care because you searched for the right pictures and because you took the time to piece everything together yourself rather than run to a store to have it printed for you. In a world so technologically advanced, this is one of the ways to use technology to bring a personal quality to something homemade.

Remember that the fabric you pair your photographs with can add value to your work in that they can carry out a particular theme that you’re going for. If you’re creating a graduation quilt (like in the link provided) and you want to showcase all of the graduate’s high school friends for a keepsake to take to collage, choosing fabrics that represent their school’s colors or mascot would be useful, as would ones that reflect typical graduation items—like caps or diplomas.Picture 1

For a Mother’s Day present, you could consider what your mom’s favorite colors and items are and use them for inspiration in regard to other fabric choices. If she adores light blue and lilac, pairing the photographs with those hues can add a level of care to the overall product since it’s another bit of evidence that you know the recipient well enough to pattern the design for them.

You could also use these for your own purposes as well, such as printing off photographs from your trip to Rome or Venice for a European-themed work that showcases the pictures you took during your stay. Even a moment that might seem trivial could be represented through one of these quilts, like the first time you baked with your children. Just take enough photographs to commemorate the experience, then pair your printed photographs with colors that reflect the baked goods you created together. It’s a big way to remember in detail such a small moment.Picture 1

Overall, I’m very much interested in trying my hand at this quilt type, and you can expect updates as I go through the process of trying to construct one. It’s so personal, and I look forward to testing the waters on the matter—especially to see how well the ink stays in place through my own personal experience.

Have any of you ever tried a photo quilt? Suggestions? Let me know!

The Lace-Maker by Tropinin

The Lace-Maker by Tropinin

Once more, we’re turning to an artist’s rendering of a sewing topic for exploration and analysis, and this time, it’s coming with a couple of twists. Before we dive into those twists, let’s go ahead and introduce you to the painting that’s the focus of today’s post.

The Painting: The Lace-Maker

The Artist: Vasilii Andreevich Tropinin

The medium: Oil on canvas

The year: 1823

Picture 1

Masterpiece

This is an eye-catching piece, and one of the most immediate concepts that separate it from works that have already been explored on the blog can be noted in its title. The topic isn’t just sewing stitches or making repairs, but rather the very specific task of making lace, which might require different tools than general sewing. The woman in the painting isn’t using a regular needle, clearly, which provides a unique view into the world of sewing.Picture 4

In fact, this entire painting is varied from some of the ones that historically came before it since it’s showing an average woman tending to the lace’s creation rather than someone from high class (“Vasilii Andreevich Tropinin: The Lace-Maker,” n.d.). This woman looks like someone you might see working on a sewing project in the comfort of home, and that quality creates a similarity between the average viewer and the painted woman. You can relate to her because it’s so akin to your approach—sewing in your own home.

Both of these aspects are showcased specifically in the painting—the tools and the woman—through the triangular configuration that’s been noted on other artistic works. Within the triangle of focus, you have the woman and the tools she’s using, allowing your eye to primarily be drawn right to them.

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It’s about the passion, not the project

It’s also worth noting that we don’t see much of the actual lace being made. We see the woman. We see her working. But the project is mostly facing toward her, so our view of it is limited. It can be interpreted that the lace-maker herself and the process of making the lace are, to the artist, more significant than the actual project.

By extension, you could continue this logic to assume that the woman in the work is a beginner or early lace-maker, and that the process doesn’t need to be tarnished by seeing a newer lace-maker’s mistakes and missteps. This notion can be argued as mirrored in the idea that her hands look dainty as she tends to the process, which might lead the viewer to assume that she’s treading lightly into the field. She isn’t gripping the tool firmly, and the overall result can look like the carefulness and hesitance of a beginner.Picture 4

Personality and disposition

One could argue as well that the smile on her face is another detail that brings this new-lace-maker quality to life, as if the woman is happy to give this process a try and perhaps pleased with her progress. Unfortunately though, her face is the main spot where the argument could shift in favor of the woman being very secure in her craft, as if she’s done this again and again over the years. There’s no uncertain furrow in her brow or any lines of tension on her face like you might expect from someone struggling to get the hang of such an activity. Rather, she looks calm and relaxed, and that mind frame can be labeled as out of place for a new lace-maker being caught on canvas.

Picture 2

If you consider that detail—that her face is so free of lines of tension—the other elements can suddenly take a new turn as well. Maybe those hands aren’t dainty with hesitance. Maybe they’re loose from comfort with the process, like the casual grasp she has is enough to professionally finish the task. If you decide on this method of logic, the project being pointed toward the woman can mean that her comfort with the task is what’s supposed to be shown. You don’t need, from that point of view, to see the project. The woman is too at-ease with the process to be creating anything less than successful through her endeavors.

Light and shade

This notion of comfort can be seen in the lighting of the painting as well since, for the most part, everything is well-lit and in the spotlight. Other than the shady corners at the top, the space under the table, and the area underneath the platform the project is on, little is dark about this work. That sustained level of lighting speaks to an overall bright experience, and the similarity of color throughout adds to that calmness. No hue drastically sticks out, and other than the handful of dark places, nothing severely falls into the background in regard to those hues. Everything is neutral or placid enough in color to create an overall image of cohesion and balance.

With all of these elements combined, it’s sensible to interpret this as Tropinin’s attempt to showcase an average woman tending to a very specific task with so much expertise that she’s calm and tranquil throughout the experience. It’s a primarily bright experience that she feels comfort in, with little dynamism about the process due to her ease with the task while she works on a project that the viewer doesn’t need to see to know it will be a success.

References
“The Lace-Maker.” (n.d.). Russian Art Gallery. Retrieved from http://russianartgallery.org/famous/tropinin_lacemaker.htm
“Vasilii Andreevich Tropinin: The Lace Maker.” (n.d.). Rollins College. Retrieved from https://myweb.rollins.edu/aboguslawski/Ruspaint/troplace.html
Sewing for a Living

Sewing for a Living

For the lucky people who discover early on what they want to do for a living, picking a career can be as easy as following interests. But sometimes, knowing your primary interest isn’t enough to form a decision on a career since you don’t know what in the world you could do in the field that would actually make you money. I mean, come on. I could love collecting quarter-machine stickers, but unless at least one of them become a collector’s item, what exactly am I going to do career-wise with that interest?Sewing1

You might have a similar struggle with sewing since it’s often treated as a hobby or a practical exercise, but as hesitant as you might be to try your hand at it for a living, you can absolutely earn money working in the sewing world. In fact, Sewing Machines Plus is currently hiring salespeople. Just sayin’.

If you’re looking for something a little different than a salesperson though, here are six career options that you can explore to make cash with your interest in sewing.

1. Be a seamstress. This might be the most obvious choice, so let’s go ahead and cover it! As a seamstress, you’ll have the opportunity to be the community go-to for sewing repairs, which works out well since certain people aren’t interested in making those repairs themselves! You can use your interest to earn money while helping out people with their clothing needs. Sound good?

2. Make clothes. On the same train of thought, you can make clothes to sell for people who don’t have the interest or skill to make these projects themselves. If you can construct something fancy, like a prom dress, you might find that you can make real money for weddings and dances by allowing people to have more input in their clothes designs than they can get by shopping retail. It might take time to prepare yourself for these kinds of tasks, but talk about the creativity involved with this one!Sewing5

3. Write. If you have interests in sewing and writing, this is a good fit! You might not find that perfect writing opportunity as soon as you start looking for it, but trust me when I say that a consistent effort in looking for freelance writing jobs can lead to some possibilities that are in line with non-writing interests. Fitness, education, and traveling are varied topics that you could find freelance offers for, and they’ll hopefully give you an idea of how assorted freelance subjects can be. It’s reasonable then to believe that someday a sewing-related possibility could come your way if you keep searching for it! You might even end up with a career writing regularly for a famous magazine that deals with sewing.

4. Own a shop. There’s variety in this option because your shop could be for a number of things. Maybe it’s exclusively to sell the clothes you make, or it might be a collection of community sewing projects all sold under one roof. Maybe you’re only interested in selling quilts, or baby supplies, or handmade home décor… Whatever your niche and however far your reach for merchandise, if you have the knack for running a business, this might be the career for you!Sewing2

5. Teach. If you search online *right now,* you could find job listings for tutors or teachers in the field of sewing. This makes sense since sewing beginners might breathe a little easier with someone there to guide them in their early projects and learning experiences. You might not even have to look online to get a chance at this type of job if you happen to know someone who wants to learn to sew. Then maybe one student leads to another, and perhaps one day you can have a full class of people waiting to learn about sewing. As a side note, if you’re technologically inclined, you might think of filming classes, making them look professional, and selling them as DVD’s through vendors. It might take a while for this to really take off, but that doesn’t mean it can’t happen!

6. Make Patterns. It’s entirely possible that you adore sewing, but you’re not overly interested in teaching the practice. Maybe your appreciation of the sewing process is primarily in the most technical aspects—like building patterns. If so, be aware that a pattern maker is a job possibility! You could land a job as a pattern maker for a designer or company to put ideas to paper, but honestly, what’s to stop you from creating your own designs, mapping out the patterns, presenting them in a professional manner, and selling them? In fact, this would be an interesting detail to add to that shop that was mentioned earlier! Either way, it’s possible to make money by making patterns!

And there you have it—six ways you could earn money by putting your love of sewing into a career choice. Some of these might be easier to attain, like a seamstress, but even the more obscure options can be done part-time to boost your income. Basically, you can make a living on your sewing!

Back-to-School Sewing Projects

Back-to-School Sewing Projects

Summer vacation is coming to a close, and the upcoming school year is right around the corner! It’s time to take advantage of your final carefree days beside the pool, sneak in that final family trip, and start focusing on what you need to do to make sure you (or your kids) are READY for school to start again! For me, one of my favorite childhood things about summer wrapping up (maybe the only good thing about summer wrapping up) was school shopping. I loved picking out my notebook and backpack, and finding new clothes that I adore is still something I’m a fan of.Back to SchoolBut if you want to make your school preparations more personal, don’t overlook the possibility of going just a little homemade this year. There are definite perks in making your supplies, like being able to tailor the design to your own preferences and the comfort of knowing you (or your child) will be carrying one-of-a-kind school supplies on the first day of school.

So if you decide this is the right path for you or your child, here are some ideas for things you can make by hand and/or machine to prepare for the next school year.

1. Book Covers

This isn’t the most complex of ideas, but there are three advantages in creating your own book covers. One, the project is so small that you could make book covers for all your textbooks in one day. That’s some quick school preparation! Two, you’re giving an extra layer of protection to your textbooks, and that lessens the wear and tear they’ll get throughout the year.

BooksThis could save you money in the long run since it could keep you from having to replace textbooks that have been damaged. And, third, you can pick your fabrics to make each book something way more personal than your standard textbook cover. Instead of beakers on your chemistry book, you could have prints from your favorite movie—and that could add a touch of brightness to your class every time you grab the book to head that way!

2. Bookmarks

This is the simplest idea on the list, but bookmarks can come in handy for keeping your place in the assigned literature classic or giving you a reminder of what chapter you need to read in your history textbook. You can spend less time on these than your book covers and use the same fabric to make sure your placeholders match the book you’re keeping your place in. Bookmarks

3. Pencil cases

Some of the most essential school supplies are writing utensils—pens, pencils, markers… Something that’s an acceptable tool to write your papers, do your homework, and take your notes. Without them, you might be doomed to bum them from nearby classmates, search your home every time you have an assignment to do, or accept that your grade is going to take an unfortunate turn.

PencilsYou can use the same fabric once more on your pencil case so that you’re continuing your theme for your supplies, but you’ll need to add a zipper, button, or some other form of closing mechanism to keep those pencils from tumbling out. It’s a simple addition though for another chance to add that homemade quality to your school year.

4. Backpacks

You’re most definitely stepping up the complication factor if you choose to try your hand at a homemade backpack, especially if that backpack will come with a number of compartments. Still, your backpack is the core of your school shopping experience (the only sensible alternative argument would be in favor of your notebook), so by making it yourself, you’re putting a homemade stamp on your school supplies through this one element.

BackpackAnd you can keep your theme of fabric going with this choice by using the same or similar patterns as you did for your book accessories and pencil case! If you used different fabrics for the other supplies, you could make this one the culmination of them by using each and every fabric in some way on your backpack. It could be a patchwork feel or a planned-out strategy where each fabric gets its own compartment or section. Whether this will be your only homemade contribution to your school supplies or the central part of your homemade approach, choosing to make your own backpack for the upcoming school year could be the perfect project to wrap up your summer vacation.

5. Clothes

Last but not least, you have the option of making your own outfit. Or two of them. Or three. Or sixteen. If you’d like, make your entire wardrobe—but if you do decide to take that route, you might want to get started ASAP. The school year is soon coming, and a wardrobe can be a time-consuming thing to make! Browse fabrics and patterns to find combinations that you can see yourself wearing, and get to sewing!Clothes

With these supplies ready to go, you’re equipped for a one-of-a-kind, homemade first day of school!

Picasso Products for Sewing

Picasso Products for Sewing

Sewing can be a precise art of measurements and strategies. But at times, it’s kind of fun to loosen the standards and try for something less typical—and the results can be quirky and intriguing! This is what I like to refer to as Picasso Sewing. The title is a bit misleading since there’s structure and definition to Picasso’s works, but the idea of odd elements that don’t necessarily fit together is a fair representation of what you could create if you try for a more lenient method of making your next sewing project.

For example, a Picasso throw pillow, which I recently did!

First, I chose fabrics that fit together without matching in the most conventional sense—two patterns that are both based on geometric shapes and lines of color.

Picture 1

The primary colors stand out from one another, but the blue fabric includes a similar pink shade to what’s on the pink. The most distinctive difference between these two fabrics though could be the pieced-together look of the blue fabric. Whereas the pink blocks are solid pieces, the blue ones were already a patchwork design since multiple geometric shapes form the overall design. The fabric choices essentially match in a shared pink color and a general foundation in geometry, but they’re different enough to create a mismatched look.

For the backing, I chose a different pink fabric that comes with elastic-esque lines of fabric.

Picture 2That elastic quality made this fabric a gamble since I didn’t know how the bunched areas would work when the front and back were sewn together, but remember that I was taking risks with this one!

Once I had my out-of-the-fox fabric selected, it was time to start piecing together the front part of my pillow. I chose to go with a patchwork design, but I was lenient with how I put the patches together—and even how I cut them. Basically, I cut out a piece of one fabric, then cut other fabric shapes that were similar, but not necessarily exact, in size. Once I had pieces that looked (to my eye) sensible for a patchwork project—an estimation of approximately 2-3 inches in either direction—I decided on the pattern those pieces would take and started sewing the blocks together.

This is another step where basic sewing strategy was put on a shelf to create something more Picasso than an average throw pillow. I didn’t pin the individual blocks together, and I tugged them so that they fit alongside their neighboring pieces essentially on whims. I just tried to get a good amount of space for each block of fabric, and I didn’t worry too much about making everything exact and organized.

The result was an interesting setup where the blocks were tilted and varied in size, and I love it!Picture 3

I did give a bit more thought to piecing the lines of blocks together by using a handful of straight pins, but the messy appearance still exists in this pillow!

I ended up adding a fourth row of blocks to get the pillow a little bigger (I seriously eye-balled and compared fabric blocks to get every measurement here), but after that, it was time to apply the backing. To do that, I was again unorganized in my methodology. I laid the top layer of the throw pillow on the backing material, then pinched the backing fabric enough to where there would be extra space between the layers for filling.

I only used less than a dozen straight pins to keep the layers of fabric in place as I sewed far enough from the edges of the top layer’s fabric to allow excess material on all sides.Picture 4Next, I sewed along all of those sides until there was one patch of open space left to insert the filling, then finished sewing the rest once the filling was inside. Since I had the elastic element to consider for the backing, at times, I had to allow bumps between stitches to make up for the excess fabric for all of this sewing detail.

After that, I’d intended to shred the edges to make this a raggedy throw pillow, but once I cut off the larger portions of the backing fabric, I found I already liked the raggedy look that the unclean edges brought to the product. So rather than rocking the boat by shredding the ends, I just cut off pieces that *needed* trimming—like excess thread or very shredded parts of the fabric.

There are two details about my process that I’ll mention in addition to this basic strategy. The first is what I used for filling. This is a creation that’s not intended to look or be sophisticated, so I used a series of old shirts to stuff into the pillow. If you’re going for something that’s more concerned with comfort, you might want to try for a more standard filling.

The other detail is that this process, since it ends with a ragged final product, can be forgiving for mistakes because it’s understood to look a little worn. For me, that came in handy because I didn’t leave enough fabric to completely link the patches in at least one spot, causing a gap. Since it’s okay for this pillow to look imperfect, I was able to sew up that spot without worrying that the thread would be seen, then add that thread-repair-look at a couple of other spots that didn’t need it.Picture 5The result seemed like a structural decision to bring that ragged quality to life rather an error in strategy.

The final product is a pillow that’s Picasso-like in its leaning and varied-sized blocks, and so very raggedy with its frayed ends and fake repairs. Had I gone strictly by the books, I might not have come up with something so imperfect looking—and I really would be missing out because I adore this pillow! Picture 6The moral of the story? Don’t be afraid to bring a little imprecision and a lot of Picasso to your sewing to create unique products! Sure, strategy is great, but loosening the guidelines in sewing can be awesome, too!

Having a Friend who Sews

Having a Friend who Sews

Some things just work better in pairs.

Some things just work better in pairs.

Some things just work better in pairs—like shoes, socks, friendship bracelets, and the Everly Brothers. Often though, even our pastimes can be enhanced by the addition of another human being. Going to the movies, as an example, is more fun with a friend to offer ridiculous comments to or to discuss the movie with after the credits roll. Another example would be hiking. It could be great for you to wander through nature while getting a workout, but if you have someone to share the experience with, that company provides another level of goodness.

Sewing, too, can benefit from the presence of another person, even if people often think of it like a solo task. Things like classes based on sewing show evidence of this since you’ll be learning—should you take one—in the midst of other people who are interested in the same craft, but the reasons behind sewing non-solo are applicable beyond the notion of gathering in dozens in a classroom. Truthfully, there are common, day-to-day rationales for having a sewing friend or two in your life that you could find useful even if you don’t want to leave your house for your projects. You can pick up your phone, call them, and invite them over for sewing assistance.

And that sewing assistance can come in three specific forms that we’ll cover in this post. Ready to dive in? Then let’s go!

Taking Measurements

You might find that getting your measurements on your own can be complicated.

You might find that getting your measurements on your own can be complicated.

If you’re the type of person who sews your own clothes, you might find that getting your measurements on your own can be complicated. If you try to measure from shoulder to shoulder, for instance, you pretty much have to lift at least one shoulder, and that can throw off your measurement. It helps then to have a second person around who can step in and help you. Now, sure, you can recruit whoever is around to help you get that shoulder measurement, but it’s still best to have that someone be a person who’s familiar with sewing.

The reason for that detail is because people who are accustomed to taking measurements won’t need an explanation about how to take the measurement. They’ll understand, if you want help with your waist measurement, that the sewing tape should be at the smallest part of your waist. The process is familiar, and they’re accustomed enough to know how tight the tape should be held as well as where the cut off is in regard to any kind of tape-overlap. That familiarity can make for not only an easier sewing experience, but also a more accurate one. A non-sewing friend might allow too much slack and cause your clothes to be too big. To go Goldilocks, the sewing friend might measure just right.

Sharing sewing supplies

Sharing is caring.

Sharing is caring.

Sure, you shouldn’t be the person who constantly asks to borrow things—particularly if you don’t return them. But if you’re in a situation where you’re friends with someone you share an interest with and both of you trust the other enough to loan supplies, this can be a very real benefit for you and the person your friends with. If you don’t have the right shade of blue in thread, maybe your friend has it! If your friend doesn’t have a specific sewing needle for a task, perhaps you have one! It’s a great back-and-forth situation where you’re being afforded the opportunity to have a go-to for supplies you need who’s just a phone call away.

This dips into shopping as well since shopping with your friend could help each of you be aware of what the other has in their supply for these sharing moments. Of course, this wouldn’t be the only reason to go shopping for sewing supplies together, but it’s a definite plus! Either way though, in addition to sharing the supplies, you can share the experience of finding the right supplies with a good friend—and what shopping trip isn’t more fun with a friend?!

Socializing

Brainstorm ideas to come up with the best projects you can make.

Brainstorm ideas to come up with the best projects you can make.

Any time you have an interest, it can be nice to have someone to talk to about that aspect of your life. Otherwise, you might find that you have nowhere to turn to discuss interesting or pressing matters in regard to the field. It’s like being an avid reader who finishes a really great book, but then has no one to talk to about that book. You have all of these thoughts, opinions, and reactions, and where exactly are you supposed to send them?

Sewing can be so similar because you pour so much of yourself and your time into your projects. It helps to have someone there to talk to about your progress, your confusions, or your plans. The process can help you brainstorm ideas to come up with the best projects you can make, and it can give you a place to offer your complications in a way where you can ease your tension. You might even get some insight about what to do to fix those complications rather than bottling them up until they potentially run you down so much that you throw in your sewing thread. This social quality can then better your sewing experiences, and it can also increase your odds of continuing your sewing endeavors. That makes it a definite advantage of having a friend who sews!

Bottom line? Don’t think of sewing as an exclusively solo gig! Having that sewing friend can make for a brighter, easier sewing experience—from shopping for supplies to putting together your projects. You might have to sign up for a class to find that friend, but trust me! They could be worth their weight in sewing thread!

Strip Piecing for a Postage Stamp Quilt

Strip Piecing for a Postage Stamp Quilt

It seems the more I dig into the world of quilting, the more things I find that I never knew about it in the first place. The brand of creativity is like a well of opportunities, or a garden that you can browse until you find the right flower to plant in your yard. Each project and possibility is its own type of craft, and the quilter has to figure out which of them is intriguing enough to try a hand at.

This idea is essentially what I’m doing for this blog when I explore new quilt types. I look at new possibilities, and when one catches my interest, I dig deeper!

For this blog post, that’s exactly what I’ll do for what’s known as a postage stamp quilt.

Postage stamp quilt

A postage stamp quilt.

A postage stamp quilt.

If you’re wondering what a postage stamp quilt is, it’s actually not that complicated of a style to explain! Think of a roll of postage stamps waiting to be applied to envelopes, and you’ll have a good grasp on what they can look like. It’s one small block of fabric after another, like the patchwork quilt I invested time in, but with much smaller pieces. In fact, that seems to be the main difference in the top layer of a postage stamp quilt and one for a general patchwork quilt if they’re both basic block formats. For the stamp quilt, the blocks are smaller—potentially only a couple of inches!

When I was first introduced to this concept, I was a little intimidated. The reason for that intimidation was that I know by experience how much time can be spent assembling the outer layer of a larger-block quilt (something closer to ten inches), so the idea of putting together pieces that are this small felt overwhelming. Taking the process one piece at a time would require a long, long time for me, and the strategy would be so focused on such a smaller area that it would almost have to be tedious. As intrigued as I was, I figured it would be a frustrating task!

Strip piecing

Then I did a bit more research, and I realized you don’t have to sew these pieces one at a time. Another strategy is to strip piece them together.

All strip piecing means is that, rather than focusing on one square block of fabric, you’re using longer sections to sew together  — rectangles in place of squares.

All strip piecing means is that, rather than focusing on one square block of fabric, you’re using longer sections to sew together
— rectangles in place of squares.

All strip piecing means is that, rather than focusing on one square block of fabric, you’re using longer sections to sew together—rectangles in place of squares. For example, if you choose to use two-inch blocks of fabric for your stamp blocks, make sure the width of each strip of fabric is two inches, but don’t worry about creating the two-inch length yet. Rather, keep those strips longer!

As one source pointed out, how long the strips are can depend on you, what you’re able to handle, and how long you can keep cutting in a straight line (Quilt Videos, 2016). If you can go from the top to the bottom of three feet of fabric, you can have three-foot strips of fabric to work with. But if you find that you tend to get shaky or swerve-prone with extended cutting, you might want to keep those strips smaller. For me, I probably wouldn’t go beyond ten or twelve inches, but if you’re a more advanced quilter, you can try for more.

Time to put these pieces together

Once you have your strips, line them up side-by-side and sew them together in a chain fashion, two strips at a time.

Once you have your strips, line them up side-by-side and sew them together in a chain fashion, two strips at a time.

Once you have your strips, line them up side-by-side and sew them together in a chain fashion, two strips at a time. Begin with your first two strips, sewing them along their long sides so that they’re linked with both of their primary images being showcased, and then do the same with one of those linked pieces and a new strip. Once you finish, you should have a series of fabrics connected in long strips that are small enough, width-wise, to embrace the postage stamp quality in a quilt.

Once you finish, you will have a series of fabrics connected in long strips.

Once you finish, you will have a series of fabrics connected in long strips.

From strips to squares

After you’ve sewn a number of strips together—again, it can depend on how much you’re comfortable with working on at a time—it’s time to make those rectangles into squares! If your fabric strips were two inches in width, measure and cut across your connected fabric strips at every two-inch interval from top to bottom, length-wise. At that point, you should have a series of new strips, though these will be made of a series of smaller blocks of fabric—as many blocks as fabric types that you used.

If your fabric strips were two inches in width, measure & cut across your connected fabric strips at every two-inch interval from top to bottom, length-wise.

If your fabric strips were two inches in width, measure & cut across your connected fabric strips at every two-inch interval from top to bottom, length-wise.

You should repeat this process through all of the fabric you plan to use for your quilt until all of it has been transformed into these multi-fabric strips. From there, it’s time to start piecing them together into the top layer of your quilt. All you need to do is arrange them together in a way that looks appealing to you until you reach the width and depth you were looking to achieve in your quilt.

All you need to do is arrange them together in a way that looks appealing.

All you need to do is arrange them together in a way that looks appealing.

The process might sound a bit complicated, but once you get the hang of it, you might be surprised at how quickly your stamp quilt comes together!


References
Quilt Videos. (2016, March 24). Quilt Monkey – Episode 301 – Easy, Strip Pieced Postage Stamp Quilt Block [Video File]. Retrieved from https://www.youtube.com/watch?v=j3N7al2V8C8
Witherby, S. (2011, October 27). Dead Simple Christmas Quilt mock up [Electronic Image]. Retrieved from https://www.flickr.com/photos/inkyswot/6285898784
Sewing for Independence

Sewing for Independence

June is wrapping up, which means that July is on the horizon. If you’re an American, that means Independence Day is right around the corner with its fireworks, watermelons, and recollections of the birth of our freedom. But along with those standard notions for the 4th of July, there’s also a sewing story to be found within the details of our nation’s birth. It’s a story you might be familiar with, and we’ll explore it a bit on this post.

Betsy Ross

Betsy Ross presenting her flag to George Washington & two other members of the Continental Congress.

Betsy Ross presenting her flag to George Washington & two other members of the Continental Congress.

Once upon a time in the 1700s, a widow—named Betsy Ross—who was trying to make ends meet by sewing and such was approached by none other than George Washington and two other members of the Continental Congress. Why? They wanted her to create a flag for the nation that was budding around them. It’s easy to write off this detail as unimportant since countries and states often have their own flags as standards, but when you dig deeper, you might find how significant this moment was in United States history.

“Don’t Tread on Me” flag.

“Don’t Tread on Me” flag.

Before this, not once since the colonists started struggling for freedom did they have one unifying flag. Rather, a number of flags were decorating their army, and that concept doesn’t spark ideas of unity—not to the level that one overall flag for an army can showcase. If one group is using a “Don’t Tread on Me” flag, and another is waving the “Liberty Tree” one, that’s division even on a subtle level. Through Ross’s work, there would be one flag to fly for all the Colonials in their push toward independence. All of them would be united under that one flag in contrast to the subtle division they’d experienced before.

“Liberty Tree” flag.

“Liberty Tree” flag.

Ross accepted that responsibility to create the nation’s flag, and the rest is history.

But let’s take a moment to consider what could’ve happened if the United States had lost the war. I’ve heard how the men who signed the Declaration of Independence were essentially signing their own death warrants if the British had prevailed, and while I’m not saying that 18th century soldiers would’ve executed Ross for her assistance in the rebellion, it’s hard to say what her consequences would have been. Would she have been imprisoned? Banished? Would she have become a social outcast? Maybe she would have lost her business—her means of supporting her children—because she agreed to take on that duty of sewing the nation’s first unified flag.

Betsy Ross risked everything to make the USA's first flag.

Betsy Ross risked everything to make the USA’s first flag.

I’d be surprised if Ross herself didn’t wonder these same things. Imagine the unease she would’ve felt, thinking that she could’ve lost her means of providing for her children, as an 18th century widow, for such a sewing detail in the war. She could’ve passed the prospect on, choosing instead to let someone else sew the nation’s flag—someone perhaps who wouldn’t have so much to lose.

But she didn’t

She agreed to be an active part of the nation’s struggle for independence, risking so much to let her talent bring the colonists that sign of unity. And now? Now, we have flags waving across the nation and a pledge that’s to be given to that flag. Children have been taught to honor and revere the flag because what began with a handful of Continental Congressmen and one upholsterer has come to symbolize the nation as a whole and every man and woman who’s given their life or blood to keep it striving.

Did Ross know that so much would come out of her sewing project? She likely hoped the colonists would prevail to build a free nation, but knowing that it would happen is different. Even if she had known about their upcoming victory, how could she have known how much that flag would come to mean to the generations of Americans that would come in later years?

The evolution of an American tradition.

The evolution of an American tradition.

The point is that sewing was a part of our nation’s beginning, and it was a substantial moment for the United States. For once, we had a unifying flag, regardless of how much it could have cost just to agree to thread a needle and start sewing on it. Ross took that chance, and to say that the product has been significant to our nation would be an understatement. Overall, sewing has impacted our nation, and it’s linked to the struggle that allows us to celebrate our nation’s day of independence.

Enjoy the fireworks

So for the Americans reading this, happy Independence Day!

For others, even if the 4th of July is just another day on your calendar, consider how important such a small sewing project was. Will one of us sew something that noteworthy? Probably not! But clearly, each sewing project can matter—whether on a personal or public level. Tackle them with passion, because we never know how everything will turn out.

Fabric for Filling Empty Wall Spaces

Fabric for Filling Empty Wall Spaces

Not so long ago, I had a series of plaques that I’d earned hanging on my wall above my bookshelf. Since then, the bookshelf was moved for the sake of rearranging my bedroom, and those same plaques were then hanging to the right side of my bed with a big space of emptiness below them. Now, because I had a concern about those plaques falling off the wall and onto the bed during the calm of a night’s sleep, I took them off of the wall altogether. And now?

Now, I have an even bigger empty space—one that exists from the ceiling to my bed.

Now, I have an even bigger empty space—one that exists from the ceiling to my bed.

Now, I have an even bigger empty space—one that exists from the ceiling to my bed.

Yawn

That’s boring. Very, very boring. It’s like my bedroom is incomplete, and I will potentially feel frustration over this until it’s covered and decorated as fully as the rest of the area is. So because I have such a distaste for the blankness of the wall, my mind has been perusing the possibilities as to what specifically could go on this space to fix the issue and therefore give me a more relaxed mentality in regard to this wall that’s so close to the right side of my bed.

My original idea for fixing my wall-is-too-empty issue was to hang a Marvel poster beside my bed, even though I know by experience that having a poster fall on you in the middle of the night can be a frightening experience. Why? Well, call me a child, but I still appreciate a good poster (and certain Marvel movies). It’s an easy fix that won’t give me a concussion if it falls at night, and it’s a cheap one if I buy the right poster. But then I got to thinking…

You see, I recently cleared out some clothes from the dresser, and if you’ve learned one thing about me through reading my posts on this blog, it could be that I’m cheap and like to make use of what I already have for fabric. So since I did that dresser-clearing, I have material right in my bedroom that can be used to create something to go on this too-empty wall to my right.

So since I did that dresser-clearing, I have material right in my bedroom that can be used to create something

So since I did that dresser-clearing, I have material right in my bedroom that can be used to create something

But what would that something be? That became the question, and through internet browsing, I’ve come up with two options I’d like to share with you.

Let’s brainstorm

The first of these possibilities is to create a wall quilt to hang there, one that’s a combination of the pieces of fabric that were banished from the dresser. Since I adore patchwork quilts, this option could be accomplished by the simple process of using similarly sized pieces of fabric for each block to compose something that’s bright and vivid—and an interesting touch to my wall décor. As I’ve covered patchwork quilts a number of times already on the blog, I won’t go into too much detail about how to make one. Just know that it’s a prospect, and time and effort could lead to a one-of-kind wall hanging to fix my problem through this method.

Beyond that though, I noticed a particular quilt idea that sparked an idea that moves away from the actual quilt theme. It was from a quilt that depicted a flower garden, and it occurred to me that the overall scene could be applied away from the quilt setting. How? You’d just need to assemble the pieces of the quilt project in separate formations and hang them on your wall instead of sewing them to the quilt. For instance, you could take a marker (use a fabric-friendly writing utensil!) and trace the patterns of flowers, butterflies, clouds, the sun, a house… Whatever you feel is appropriate for the scene you’re trying to showcase. Simple rectangles could be used to create a fence, or a combination of fabric types could come together to create something as intricate as a rosebush. Just imagine a hole fabric-created garden scene placed right on your wall!

Take a marker (use a fabric-friendly writing utensil!) & trace the patterns of flowers, butterflies, clouds, the sun, a house…

Take a marker (use a fabric-friendly writing utensil!) & trace the patterns of flowers, butterflies, clouds, the sun, a house…

In fact, this idea could be embraced for more than just using your fabric to cover up an empty space on your wall. You could use your old fabric to create holiday scenes, for example, for a sentimental touch to your decorations. If you only have red and white, you could make candy canes. Only blue? How about snowflakes?! A series of fabrics? Get to work on a gingerbread house! These individual pieces could be tiny projects that of themselves are beautiful and worth showing off, but when you bring them together, their appeal increases—a lot!

Fabric for Filling Empty Wall Spaces

Don’t overlook the prospect of constructing these tiny projects that come together for a bigger work of art! It’s like a quilt, but without the actual quilt part—which is a pretty interesting twist to me!

Tips for Dazzling up a Ring Bearer Pillow

Tips for Dazzling up a Ring Bearer Pillow

I can’t recall the first time I heard the phrase, “June bride,” but it’s something that’s stuck in my mind as the years have passed. While, to me, other months might present better options for a wedding (Sue me! I don’t like 90-degree weather!), June has somehow become what could arguably be the staple month for wedding ceremonies. Since we’ve entered that month, it seems fitting to target those ceremonies for a post or two. For this particular one, we’ll focus on a tiny wedding detail that can be handmade for that extra bit of sentimental value, and that’s the ring bearer pillow.

The ring bearer's pillow.

The ring bearer’s pillow.

For instructions on how to make a throw pillow in general, you can check out this link. But because pillows can be treated as such simple projects, I won’t discuss how to construct the actual pillow. Instead, I’ll concentrate on more decorative details in regard to the pillow’s appearance. These are aspects of the pillow that could come into play while you’re selecting fabrics and such—little concepts that you can do to construct something that stands out for your big day!

Choose your fabric wisely

The most important thing to consider for your ring bearer pillow is your fabric choice, and the most obvious option would fabric that has a bright white look to it. This matches the bride’s ensemble and showcases the brightness of the day, but if you want to go with something less traditional for your wedding, you might think a little outside of the box in regard to color.

You might think a little outside of the box in regard to color.

You might think a little outside of the box in regard to color.

For instance, I adore fairies in fiction and movies. If I were to have some kind of fairy garden theme to a wedding, it might make sense to use fabric options that are more creatively colored than basic white. Maybe a pale blue or a light green would work, or perhaps even a combination. It’s worth considering, overall, how your theme and wedding colors could be represented in the pillow for a unique look.

Fabric additions can be applied to the basic pillow structure to give it a more distinctive, lively look—things like lace, ribbon or tulle.

Fabric additions can be applied to the basic pillow structure to give it a more distinctive, lively look—things like lace, ribbon or tulle.

Time to accessorize!

You might also want to consider accessories for the ring bearer pillow, and I don’t just mean the rings that will be carried on it! Fabric additions can be applied to the basic pillow structure to give it a more distinctive, lively look—things like lace, ribbon or tulle. Again, you can go with the basic white, or you can better pair the accessories’ hues with your theme or wedding colors if doing so feels like the right option.

Not only can these accessory decisions make your ring bearer pillow stand out that much more, but they can also be used as ways to fix technical errors. If you sew lace around the ends of the pillow, as an example, you might find that a spot where your stitches weren’t that fantastic on the actual pillow can be covered by the lace. If you accidentally punch a smaller hole on the top of the fabric, you can make sure that ribbon you have meeting in the middle to create a bow covers the error. Essentially, while prettying up your ring bearer pillow with visual elements, you could improve its appearance as well by making your mistakes less visually obvious!

And in regard to those accessories, don’t limit your options to fabrics either! Sometimes the smallest trinkets and gems can push a normal-level work into more amazing territory, and things like gems speckled around your ring bearer pillow or a pin that looks like a heart can create a simple elegance that adds a level of sophistication to the project. Another similar idea would be to use sequins that could catch the light of the event and shimmer to again mimic the brightness of the ceremony. Each of these embellishments are options that, if used in the right amounts and ways, could lead to a ring bearer pillow worth talking about at the reception!

Structure is key

Structural details that you could vary would be the shape of the pillow - maybe use a heart, oval, or star shape.

Structural details that you could vary would be the shape of the pillow –
maybe use a heart, oval, or star shape.

Keep in mind that even the construction of the pillow could highlight a particular quality that you want to embrace in your wedding if you’re going for something more modern and less traditional. Structural details that you could vary would be the shape of the pillow—maybe use a heart, oval, or star shape—as well as the face of the pillow itself. Instead of thinking, “How can I decorate this simple pillow,” you could make the top of the pillow its own design that doesn’t need any décor at all because the design is the décor—like a large flower, made of fabric, that covers the top. These decisions are structural elements that could create the unique, one-of-a-kind ring bearer pillow that you’re searching for to spice up your wedding!

So to give a sentimental touch to your wedding, turn this traditional addition to the ceremony into something homemade, unique, and fitting! It could add a splash of perfection to an already perfect day!