The Basics of Cathedral Window Quilts

The Basics of Cathedral Window Quilts

The time has come to explore yet another quilt type, and this one seems a bit less known than your standard patchworks and rag quilts. In fact, until I was doing brainstorm-browsing for this post, I don’t recall having ever heard of this kind of quilt, but the style is noteworthy enough to merit looking into. Through repetition, pattern, and color, quilts of this variety can have an interesting look to them that makes them stand out in similar fashion to the architectural designs of their namesakes.

The type of quilt I’m referring to is a cathedral window quilt.

The type of quilt I’m referring to is a cathedral window quilt.

The type of quilt I’m referring to is a cathedral window quilt, and as distinctive as cathedrals themselves could prove, these sewing products can be straightforwardly identifiable once you know the traits to search for. Those traits, as with the artistic and structural wonder of cathedrals themselves, can catch the eye with their composition and beauty like few other quilt styles — in my opinion — are capable of doing. In this post, we’ll go through a list of typical characteristics that you can spot in a cathedral window quilt that provide evidence of its type so you can more easily identify one in a crowd of variously styled quilts. In particular, we’ll focus on four distinctive features of cathedral window quilts, starting with their…

These quilts are not necessarily known for bright coloring.

These quilts are not necessarily known for bright coloring.

Bold colors

These quilts are not necessarily known for bright coloring, but a good percentage of the fabric used in creating a work of this category could be very bold, like dark blues, greens, and reds that give their sections a real pop. Even with the cathedral window quilts that use more pastel-based colors, those color options are still varied and strong, and they could build centralized sparks of color in certain patterns. If you’re going to make a cathedral window quilt, be sure to include some very dynamic colors to give these defined and robust splashes of color throughout the product. These bits of color, to construct the right design, “are folded precisely and sewn with curves to create small windows,” and “folded blocks are added together until the quilt is the desired size.” This sounds very direct and uncomplicated, but what are those bold-colored fabric pieces added to? That would be…

The overall point though is that the juxtaposition of light & dark make each section stand out.

The overall point though is that the juxtaposition of light & dark make each section stand out.

White fabric

Along with varied colors, it’s also a good idea to snatch up some white fabric if you intend to make a cathedral window quilt. That white fabric added in contrast to the bold colors already mentioned helps to cement the notion of having stand-out sections of color on your quilt. Typically, the white fabric can completely surround portions of bold-colored fabric, but the reverse can be true as well if bold colors appear to surround the white fabric. The overall point though is that the juxtaposition of light and dark make each section stand out — the bold colors and the white sections — to result in a quilt that doesn’t necessarily have a single piece of it that isn’t remarkable and noteworthy.  The consequence is a repetitious design that follows a…

These quilts can employ very specific shapes in their overall design—ones that can be mimicked in pillows.

These quilts can employ very specific shapes in their overall design—ones that can be mimicked in pillows.

Definite pattern

Often, these quilts can employ very specific shapes in their overall design — ones that can be mimicked in pillows. Specifically, the bold colors are often in the shape of near-diamonds, but those diamonds’ sides invert inward to create a swooping motion along all four sides. That diamond-esque shape is surrounded by a circle — one that can be ringed — and those circles can overlap throughout the entirety of the project. Is this the only way that a cathedral window quilt can take shape? Well, it’s not set in concrete! But if you see this general pattern, you have very real evidence that you’re looking at a cathedral window quilt since the pattern is so common for the style. Another trademark is that it has…

If you neglect a layer of quilt, that’s a layer of quilt that isn’t available to strategically cover mistakes & such, so the work could feel more vulnerable.

If you neglect a layer of quilt, that’s a layer of quilt that isn’t available to strategically cover mistakes & such, so the work could feel more vulnerable.

No backing

That’s right! With this quilt variety, you can forego the backing detail since the “quilt blocks… stand alone as is” without that extra detail. Does that factor make for an easier project? Maybe not! If you neglect a layer of quilt, that’s a layer of quilt that isn’t available to strategically cover mistakes and such, so the work could feel more vulnerable. Once you get the hang of the process though and make the adjustment, it might actually lead to an easier quilting experience because “you simply iron down your edges and sew.” Considering the level of beauty that these quilts can achieve, it seems like a sensible prospect to push through the confusion of learning to construct a quilt without a backing in order to eventually fashion such a lovely and reportedly easy project.

With these guidelines in mind, you could be able to spot a standard cathedral window quilt among other quilt options with scarce effort. In fact, coming to that conclusion of quilt style could become almost instinct where you look at a product and say, “Yeah! That’s a cathedral window quilt!” since the appearance is so very individual — and lovely!

Looking for the Light

Looking for the Light

Unless I’m sewing in my lovely big-windowed space at Blindspot, I find that I’m constantly searching for more lamps.

Unless I’m sewing in my lovely big-windowed space at Blindspot, I find that I’m constantly searching for more lamps.

The older I get, the more light I need to sew – or so it seems. Perhaps the many years of sewing in dimly lit church basements and cramped corners surrounded by double racks of clothing and piles of waxed cardboard ‘chicken’ boxes has finally taken its toll.

Unless I’m sewing in my lovely big-windowed space at Blindspot, I find that I’m constantly searching for more lamps. Even with the almost entire wall of windows in my shop I still have a couple white paper Chinese lanterns hanging from the ceiling, two floor lamps, and small gooseneck table lights next to the machines. The little lights in the domestic machines never seem to be quite enough. I’ve even been known to prop up my cell phone with the flashlight on under the top arm of machines, leaning it against the solid part with the controls and wheel.

Industrial machines come with moveable, bendable gooseneck lamps attached. I position mine low to the left of the machine, almost touching. I never have a problem seeing when sewing with the industrial.

There are countless types of table lamps out there but, for sewing purposes – and especially if you want to be able to angle the light beam under a sewing machine – a clamp-on style or one with a small base is the best. If the base is too big it’ll just get in your way when you’re trying to sew (especially with a machine). You also need one with a long, moveable goose neck or adjustable arm so you can point it where you need it.

Daylight Slimline LED table lamp

The Daylight Slimline LED table lamp is a great choice. It’s extremely narrow and clamps to a table edge. I like that it doesn’t take up excess space; it just does its intended job without being obtrusive and overbearing (and yes, I know I’m anthropomorphizing).

Daylight or full spectrum light sources are said to improve color perception and visual clarity, as well as, mood, productivity, and mental awareness. How valid these claims are depends on whom you’re talking to but, it is pretty well accepted that they do improve color perception. Here’s one study conducted by the Lighting Research Center at the Rensselaer Polytechnic Institute if you’re interested in that sort of thing.

Daylight Slimline floor lamp

The Daylight Slimline light also comes in a floor lamp version, which is also very useful as you can bend the arm over a chair or your shoulder to work.

Ottlight Creative HD

A really nice, easily portable light is the Ottlight Creative HD high definition natural light.

The Ottlight is named after the inventor of full spectrum lighting, Dr. John Ott.

Doc Ott

All living organisms needed the full spectrum of light provided by the sun.

All living organisms needed the full spectrum of light provided by the sun.

Dr. Ott was a banker who loved horticulture and time-lapse photography. This led him into a pioneering career in photobiology; the study of light on living cells.

Dr. Ott ended up working as a consultant for the Walt Disney “Secrets of Life” film series where he found that he couldn’t successfully grow plants indoors under normal everyday artificial lighting. His research showed that, in order to thrive, all living organisms needed the full spectrum of light provided by the sun. It was also during the making of this film that Dr. Ott pioneered the use of time lapse for film and television.

Moving through the spectrum

As his career progressed, Dr. Ott began monitoring the beneficial effects of full spectrum lighting on certain human physiological conditions. He discovered that light color temperatures affected mental health, with balanced light reducing hyperactivity in classrooms and negative behavior in prisons.

One of his biggest discoveries was that proper reproduction of individual cells (plant and animal) is affected by lighting variances. He also realized that the light entering our bodies through our eyes controls and regulates our brain chemistry.

Dr. Ott wrote tons of research as well as three books. He published a series of seven articles in the International Journal of Biosocial Research, titled Color and Light: Their Effects on Plants, Animals, and People. These articles summed up Dr. Ott’s decades of independent research, which, at the time, was contrary to the established wisdom of pharmaceutical companies who were intent on toting the negative effects of natural sunlight.

The Silent Epidemic

It’s a sunny morning here in Harlem, so I’m about to grab my bike & go spend some time out in the sun.

It’s a sunny morning here in Harlem, so I’m about to grab my bike & go spend some time out in the sun.

At first, Dr. Ott’s research was most often met with polite indifference from the scientific community. Soon, though, clinicians and medical professionals emerged who recognized and aligned with his theory of Mal-illumination or “the silent epidemic”.

Mal-illumination refers to the human trend of becoming ‘contemporary cave dwellers’ and spending the majority of their time indoors and away from natural light sources. Doesn’t sound good, does it?

So, in closing, don’t forget to go outside (outside and sunlight are still free after all!), open the shades, and consider buying yourself a full spectrum lamp if you don’t have one already.

It’s a sunny morning here in Harlem and I’m about to grab my bike and go spend some time out in the sun.