Tag / Hollywood

A Pleating Problem
by Vanessa Nirode

A Pleating Problem

You know the back pleats that are almost always present on the back of button front dress shirts? The ones that are sewn into the shirt body where it attaches to the yoke? Sometimes there are two, one on each side and sometimes, often on women’s shirts, there is a single big one at the center back. They exist for the purpose of ease, or freedom of movement but, what they really do, is just create a whole lot of extra unruly fabric and make a shirt look as if it is too big.

The camera adds ten pounds…

It’s basically true that the camera adds ten pounds so most things in film and television are fit without extra (usually un-needed) fabric mucking up the svelte look.

I spend a lot of time taking these pleats out of shirts, partially because they seem to be in almost all shirts except for ones specifically called ‘slim fit’ and, truth be told, it’s a rather complicated alteration if done correctly.

Step One:

Take things apart. Separate the shirt back from the yoke. If you have two side back pleats, you don’t have to take the whole thing apart. You can stop after the pleats are free on either side and leave the center part still attached. If you have a center pleat, you’ll have to take the whole seam apart. Note how much fabric is in the pleat or pleats. This will tell you how much to take out of the side seam.

Step Two:

Take more things apart.

Take apart the back arms eye. I usually go an inch down from the shoulder seam to the underarm side seam. Then take apart the side seams. Basically, the entire shirt back needs to be free so you can recut it.

Paper diagram illustrating marking new arms eye and side seam lines on the shirt back piece.

Paper diagram illustrating marking new arms eye and side seam lines on the shirt back piece.

Step Three:

Redraw the arms eye and side seam lines.

Lets say your shirt had a center pleat that 1” on either side, or two ½” folds on each side. From this, you know that you want to take an inch out of each side the entire way down the back piece.

Slice up of new arms eye line.

Slice up of new arms eye line.

To redraw the armhole, mark 1” in at the top of the armhole curve and 1” in at the top of the side seam. Then fold your back piece, using the opposite side as a guide as to where to draw the curve.

Mark the side seam line 1” in all the way down through the hem.

Folding one side over to use as guide for redrawing the arms eye seam.

Folding one side over to use as guide for redrawing the arms eye seam.

Step Four:

Sew the back piece to the yoke, lining up the centers first and pinning out from there.

Step Five:

Sew the back armseye along your newly marked seam line.

Step Six:

Sew the side seam. You should use the original line on the front piece and your new line on the back piece.

Step Seven:

Give everything a nice press and you’re done.

Sometimes, designers like to make a shirt even more fitted by having their tailors add side back darts. This is extremely common in the film business. If you ever watch Hawaii Five-0, check out the button front shirts that Scott Caan wears. They are altered to within an inch of their life. They fit him like a glove. And they all have side back darts. Whenever I see them, I think, “Oh, a tailor got a hold of that shirt.” If they’re not custom made for him, then they have definitely been through the back pleat extraction/side back dart procedure.

Next time you’re watching your favorite show, pay close attention to the button front dress shirts. You’ll start to notice side back darts everywhere!

Getting In
by Vanessa Nirode

Getting In

Whenever I tell people what I do for a living (Tailor and Pattern Maker for film and television) they inevitably say one of two things.

“Wow. How did you get into that?” or “What a cool job!” Sometimes acquaintances will ask me if I can talk to their niece or son or daughter’s friend or cousin or something and give them advice on how to ‘break into’ the business.

I’m never entirely sure what sort of advice to give. As Hunter S. Thompson said (or maybe didn’t say depending on who you ask),

The TV business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There is also a negative side.

There is some truth in that Hunter quote. Especially now when the major networks are increasingly concerned with cost and ratings and everyone wants to do more (and more) with less money. Period television is quite popular right now. The only problem with that is that period television is hard, perhaps the hardest genre.

“But, why?” you may ask, “It looks like so much fun!”

The Devil is in the details

Here’s the thing: period TV is expensive. You have to dress every single background actor and actress as well as the principals. On shows such as Law and Order, often the background (BG) performers are wearing something selected from their own personal closet. What generally happens is that the BG will come to work with a few clothing options. An assistant designer will usually pick which of these options is best and that’s what the actor will wear. Most people don’t have closets full of 1920s or 1880s clothing so, on a period show, the entire costume is provided, fit, and altered. This takes more time and manpower which, in turn, takes more money.

TV is also fast – faster than filming a movie. Most shows shoot an episode in 8 to 10 days, with at least a day or two when they are shooting two episodes at once. (We call those tandem days.) Because of this, you never really get any down time. On a movie, there is most always a point where you’re over the hump – you’ve established all the costumes needed. Or you’re working on something where all the action takes place on the same day and no one changes their clothes. Then, all you need to worry about is multiples and the rest of the work is up to the set costume crew who keep track of continuity and make sure everyone looks how they should in front of camera.

Do your thing & do it GREAT

I guess if I were to give one piece of advice I would say to become really good at the thing you want to do. Then, figure out how to do it very quickly if needed. I may have said this before (I say it a lot) but there are lots of good tailors and pattern makers out there. What there isn’t a lot of are exceptional tailors and pattern makers who can also work really fast. If you want to work in TV and film that will definitely give you an advantage.

As far as finding TV and film jobs, talk to people, contact your city’s (or state’s) film commission. Word of mouth is still the best way to find a job in this business.

Mind your manners

And be nice to everyone, even if you think they have no ‘influence’ or are looking for the same kind of job as you are. You never know who knows who and you never know when someone might need help because they have more work than they can handle on their own.

Oh, and that “What a cool job!” comment… Some days it is and some days it isn’t. I can assure you there is nothing glamorous about it but, at the same time, it is also rarely boring.