Sewing Buddies

Sewing Buddies

Among my group of friends, I’m the only one that sews. We all figure it’s a skill that they’ll all turn to me for after the Zombie Apocalypse. Kidding! I am the only one who sews and it is a valuable skill, but since I don’t have a group of friends to sew with, I’ve made my own sewing buddies. Really, they’re just stuffed animals I’ve made, but they sit in my swing area and keep me company when the cats take off at the sound of the sewing machine. If you need some sewing buddies too, check out these cute stuffed animal patterns and make some for yourself.

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Stuffed Fox Sewing Pattern

Made from fleece, these little guys work up quickly and are loved by kids and adults. When finished, they’re about 15” tall and have the sweetest faces. I used buttons for the eyes and nose, since there aren’t young children playing with them in my house, but the applique idea is great for homes with kids. Make a girl one and a boy one so they can keep each other company.

Sock Monkey Pattern

I’m not sure why, but people seem to give me wild sox for birthday or Christmas gifts. I don’t wear crazy socks, never have. I re-gift them when I can, but that’s not always possible. So, this sock monkey sewing pattern is the perfect way to use those crazy socks and get myself a sewing buddy. Make two and they can cuddle with intertwined arms. Add some Velcro to their hands to keep the cuddle pose in place.

Fat Quarter Bunnies

I love these! So often when I’m at the fabric store, I see fat quarters and want to buy them, but typically, they’ll wind up sitting in my fabric stash, never used. These sweet bunnies are the perfect use for those fat quarters and they’re so cute in my sewing area.

Sock Dragon Sewing Pattern

Yet another awesome use for all those crazy socks I seem to get. The sock dragon is a bit more challenging than his cousin sock monkey, but it also uses an additional pair of socks! I love dragons, so having one, or several, in my sewing space is great company.

If you’re looking for some sewing buddies, these stuffed animal patterns are a great way to make some company for yourself. Try them and let me know what you think!

No Bridezillas Here

No Bridezillas Here

I’ve gotten a few inquiries lately to do wedding dress alterations and creations. Some tailors don’t like working on wedding dresses. They say brides are the most difficult customers there are. I don’t mind so much and, honestly, don’t find brides any more demanding than actors and actresses, which makes sense as brides are (and should be if that’s what they want) the stars of their own little wedding day movies.

Here comes the bride…

Classic pillbox.

Classic pillbox.

A lifetime ago, when I lived in Austin, TX, I did a lot of wedding dress alterations. I had a partnership with a bridal store there. The store referred all of its brides to me and I paid a small monthly fee to them for the referrals and use of their fitting rooms. On account of the University of Texas being in Austin, the city has a huge young adult population, many of whom get married there.

Most of the alterations were your straight forward hems, take in the side seams, add a bustle, kind of stuff. But a few them stick out in my mind, even all these years later, as being especially unique and fun to do.

One of my favorites was the girl who bought a dress with a tiered skirt. It was a relatively narrow skirt of about six 7” or so flat ruffled tiers that got slightly bigger as they got nearer to the hem. The dress was floor length but she wanted to be able to remove the bottom three tiers to make it knee length and easier to dance in once the reception rolled around. I bought a heavy duty separating zipper and hid it under the fabric tier that began just above her knee. It worked perfectly; you couldn’t tell it was there at all and she was able to easily zip off the bottom half of her dress skirt, like those hiking pants you can zip off the bottom of to make shorts. But a lot better.

I also did a lot of adding straps to topless dresses. Topless dresses are always good in theory but not so much in many practical situations. One client, a computer graphics and design professional, even created her own unique strap shape she wanted me to build for her. I didn’t even have to make my own pattern!

Strap design.

Strap design.

 

Bridal hats

I made quite a few bridal hats too. Some of them were your classic covered pillbox shapes. A pillbox is really just an oval or circle with a 2 and a half to 3 inch band made from buckram and wire, then covered with fabric. A little trick to pillbox making I learned at the very beginning of my millinery career is to first cover the shape with a thin layer of baby flannel. Stitch it on as you would the fabric, then use Sobo glue to smooth and ‘mush’ the edges. This gives the hat a little bit of weight, softens the wire on the edges, and makes your outside layer (often a light weight silk if its bridal) look much smoother and nicer. Pull the baby flannel down and around the wire on the bottom edge and into the underside of the hat.

You can use this baby flannel technique to cover any buckram framed hat you make. I created this wide brimmed hat for another bride in Austin. You can see in the photo that the edge of the brim has some substance to it even though the silk covering it is fairly light weight. That’s because there’s baby flannel under there too. It just gives a hat a much more professional finish.

Wedding hat.

Wedding hat.

 

Another one of my favorite unique bridal embellishments was just the addition of a fun ruffle around the neckline. This is just your basic gathered ruffle collar but it made the dress one of a kind and added a lot of interest to the top of the dress.

Ruffle neckline.

Ruffle neckline.

 

And that’s the thing about brides from my experience; they just want their dress to be special and one of a kind. Many of them can’t afford to pay for a completely custom dress. But with some creativity, you can make most any wedding dress unique. And if you’re able to understand and do that, you’ll find that working with brides isn’t really all that difficult at all.

Lotus drawstring pouch make great gift bags.

Lotus Drawstring Pouch Gift Bags and Purse Tutorial

Lotus bags are a pretty Japanese style of drawstring pouch

We started looking at Japanese style bags last week, when I showed several ways to sew azuma bukuro, or bento bags. I mentioned that bento bags make great gift bags, but these are not the only style of Japanese bag that works well for this purpose. This week, let’s look at an even prettier way to make an origami style reusable gift wrap bag, this time a lotus shaped drawstring pouch.

Use them for gift bags and more

With such a pretty wrapper, even a humble gift becomes wow-worthy. Present a hostess or friend with one of these drawstring pouches you custom created to suit their style, and fill it with just cookies, candies, even a candle, to transform such consumable gifts into something memorable and continually useful.

Lotus bags make a lovely gift of candy.

Lotus bags make a lovely gift of candy.

I made a small one from a poinsettia print to both wrap and store the poinsettia flower pins I made as holiday gifts. Besides gift wrap, these pretty bags with their handy drawstring handles can be used as a purse, to carry lunch, as project bags for holding knitting supplies or a patchwork project on the go, or for travel organizers, to carry jewelry or cosmetics.

These would make sweet favors for a bride to share with her bridal party, baby shower gifts, stocking stuffers, goody bags, and more. You could even make one from satin, lace, or bead it to make a gorgeous purse for evening or for a bride.

If I had boy and girl children and I sent them to school, I’d make bento bags for the boys and pretty drawstring pouches like these for the girls.  I bet you can think of more uses for them, too.

The best thing about these pretty pouches is that they are incredibly easy to sew; you can make one in just a few minutes.

How to sew a lotus drawstring pouch:

You will need 2 same sized squares of fabric, one for the outside of the bag, and one for the lining. You will also need 2 pieces of cord, ribbon, or yarn for the drawstrings.

Use any size of square to make these. An 18” square makes a nice medium sized drawstring pouch. To make a bag large enough to carry lunch, I suggest using squares that are at least 20”. A 10” square is nice for a small pouch for travel or a small gift. I have made these smaller, with 8” squares, to make a tiny drawstring pouch for giving handmade jewelry. And I’ve made one much larger, too. I reused a baby wblanket I made long ago for one of my boys to make an extra large drawstring pouch for a scraps bag. It’s also fun to make these like a tiny quilt, using a small piece of patchwork for the outside square.

Small pouch to hold a gift of handmade bracelets and earrings, made from 8" squares.

Small pouch to hold a gift of handmade bracelets and earrings, made from 8″ squares.

You might like to affix fusible fleece or interfacing to one of your squares if you are making a larger lotus bag or one to use as a lunch bag or purse.

Place the two fabric squares right sides together and sew around all four sides, leaving an opening for turning. Clip the corners, turn right side out, and press. Then topstitch to close the opening, continuing the topstitching all the way around the square.

Fold up the corners

Now lay the finished square on your table with the exterior fabric facing up. Fold the four corners of the square back to show the lining fabric. I fold these back three, four, or five inches, depending on the size of the bag.

Make sure all four corners are folded back evenly.

You can use your ruler and cutting mat to be sure all sides are even. Pin these in place, then sew a straight line across each of these corner folds, 5/8” from the fold. This creates the channels for the drawstring.

Place the folded edge at the 5/8" mark on your machine, and sew straight across.

Place the folded edge at the 5/8″ mark on your machine, and sew straight across.

Now sew the bag together

The next step is to sew the four seams that will transform the lined fabric into a bag. Start on any side, and fold the straight edge between two corner folds in half, with the outside fabric facing together. Sew this short seam on the lining side, beginning your seam just beneath the drawstring channel you previously sewed. In other words, don’t sew all the way, or you will not be able to pull your drawstring through. Do this on all four sides. I like to use a 2/8 inch seam here, but you can make this wider, if you like. Just be sure to sew all four sides using the same seam allowance, whatever it is.

You can turn your bag right side out now if you’d like to create a flat, square bottomed bag with corners that jut out. Or you can choose to box the corners.

To box the corners

You can box the corners by either sewing straight across the four corner seams like this:

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Or you can sew a seam from top to bottom, creating an upright triangle, like this:

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Now turn right side out.

Insert the drawstring

Cut two same sized lengths of cord, narrow ribbon, twine, or yarn. For all but the smallest of drawstring pouch, I cut both to the length of my arm from shoulder to fingertip. I cut them a bit shorter for tiny bags.

Attach the cord to a bodkin or safety pin, then insert it through all four flaps of the bag. Then tie the two ends of this cord together. If you like, you can add some beads to the ends of your cord before tying.

Now take the other cord and use your bodkin to insert it at the opposite side of the bag from where you inserted the first cord. Pass this one through all four flaps as well, add beads or not, then tie both ends of this cord together. Now you can pull both cords to pull your drawstring pouch closed and open.

If the drawstring pouch is for gifting, you can tie the cords into a bow.

This drawstring pouch is only one way to make a kinchaku

When carried, a Japanese drawstring pouch is called kinchaku. However, this is only one of many styles and ways to make kinchaku. We’ll look at other ways to sew kinchaku here soon, too.

This style, the lotus bag, is a particularly pretty shape of drawstring pouch that can be used in many ways. Perfect for gift bags, they are so easy to make and so pretty that you’ll want to make at least a few. This is a great way to use up scraps while making a useful project.  Won’t you like to make some today?

Easy to sew lotus drawstring pouch make great gift bags.

Happy sewing!

Keep Fabric and Thread Samples in Your Sewing Space

Keep Fabric and Thread Samples in Your Sewing Space

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Location is everything

If you haven’t considered keeping samples of the fabrics and threads you work with on a frequent basis, I’m here for advocating that you start. I live in Mammoth Lakes, California, which is a small, out of the way town at 8,000ft altitude in the Eastern Sierra Mountains. The nearest sewing/fabric stores to me are a one hour drive south in Bishop, California. And If I want the convenience of larger, more well-known establishments, I have to drive 2.5 hours north to Carson City, Nevada. Needless to say, I do a lot of shopping online. This is my first argument for keeping a collection of samples in your sewing space. If you can’t readily get to a store, then being able to look at what you need and order online is a life saver.

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Make exactly what they want

Sample swatches and cards are helpful for showing to both customers and friends and family that you may be sewing for. I try to never sew gifts as surprises. Sometimes I break this rule when I’m fairly certain the gift recipient will like what I’m making, but usually I don’t chance it. Why spend time and money on a handmade gift that someone may not like? I use my sample swatches of minky, for example, when I make gifts for my daughters or their friends. The kids can touch and feel the fabric, read the names of each color, and fall in love with the gift before it’s even finished.

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How does it feel?

Speaking of feeling, many sewists I know don’t like to order fabric online because they like to feel the fabric in the store before buying. I understand where they’re coming from, but usually have to order online. Because of this, I’ve ordered samples of the brand of solids I like to use (Hawthorne Threads) because I already know how their fabric feels, looks, and washes. If you have a brand you love, look into getting sample cards or even buying charm packs of a line of fabric that you tend to buy over and over.

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Samples versus supplies

A supply can be a sample, but a sample can’t be a supply. I keep a lot of supplies on hand in my fabric stash and my thread wall and I often will check my supplies to see if they will work in an upcoming project as well. I can’t, however, keep EVERY color of thread on hand, nor can I buy ALL THE FABRIC, like I want to. When the colors I don’t already have on hand won’t work, then I turn to my thread sample card to see what I need to order.

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What kind of samples do you keep on hand to make your sewing life easier?

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Charlotte Kaufman is a writer and sewist in Mammoth Lakes, California. She specializes in marine and home interiors and continues to fall more and more in love with quilting. You can follow her at charlottekaufman.com.
Back-to-School Sewing Projects

Back-to-School Sewing Projects

Summer vacation is coming to a close, and the upcoming school year is right around the corner! It’s time to take advantage of your final carefree days beside the pool, sneak in that final family trip, and start focusing on what you need to do to make sure you (or your kids) are READY for school to start again! For me, one of my favorite childhood things about summer wrapping up (maybe the only good thing about summer wrapping up) was school shopping. I loved picking out my notebook and backpack, and finding new clothes that I adore is still something I’m a fan of.Back to SchoolBut if you want to make your school preparations more personal, don’t overlook the possibility of going just a little homemade this year. There are definite perks in making your supplies, like being able to tailor the design to your own preferences and the comfort of knowing you (or your child) will be carrying one-of-a-kind school supplies on the first day of school.

So if you decide this is the right path for you or your child, here are some ideas for things you can make by hand and/or machine to prepare for the next school year.

1. Book Covers

This isn’t the most complex of ideas, but there are three advantages in creating your own book covers. One, the project is so small that you could make book covers for all your textbooks in one day. That’s some quick school preparation! Two, you’re giving an extra layer of protection to your textbooks, and that lessens the wear and tear they’ll get throughout the year.

BooksThis could save you money in the long run since it could keep you from having to replace textbooks that have been damaged. And, third, you can pick your fabrics to make each book something way more personal than your standard textbook cover. Instead of beakers on your chemistry book, you could have prints from your favorite movie—and that could add a touch of brightness to your class every time you grab the book to head that way!

2. Bookmarks

This is the simplest idea on the list, but bookmarks can come in handy for keeping your place in the assigned literature classic or giving you a reminder of what chapter you need to read in your history textbook. You can spend less time on these than your book covers and use the same fabric to make sure your placeholders match the book you’re keeping your place in. Bookmarks

3. Pencil cases

Some of the most essential school supplies are writing utensils—pens, pencils, markers… Something that’s an acceptable tool to write your papers, do your homework, and take your notes. Without them, you might be doomed to bum them from nearby classmates, search your home every time you have an assignment to do, or accept that your grade is going to take an unfortunate turn.

PencilsYou can use the same fabric once more on your pencil case so that you’re continuing your theme for your supplies, but you’ll need to add a zipper, button, or some other form of closing mechanism to keep those pencils from tumbling out. It’s a simple addition though for another chance to add that homemade quality to your school year.

4. Backpacks

You’re most definitely stepping up the complication factor if you choose to try your hand at a homemade backpack, especially if that backpack will come with a number of compartments. Still, your backpack is the core of your school shopping experience (the only sensible alternative argument would be in favor of your notebook), so by making it yourself, you’re putting a homemade stamp on your school supplies through this one element.

BackpackAnd you can keep your theme of fabric going with this choice by using the same or similar patterns as you did for your book accessories and pencil case! If you used different fabrics for the other supplies, you could make this one the culmination of them by using each and every fabric in some way on your backpack. It could be a patchwork feel or a planned-out strategy where each fabric gets its own compartment or section. Whether this will be your only homemade contribution to your school supplies or the central part of your homemade approach, choosing to make your own backpack for the upcoming school year could be the perfect project to wrap up your summer vacation.

5. Clothes

Last but not least, you have the option of making your own outfit. Or two of them. Or three. Or sixteen. If you’d like, make your entire wardrobe—but if you do decide to take that route, you might want to get started ASAP. The school year is soon coming, and a wardrobe can be a time-consuming thing to make! Browse fabrics and patterns to find combinations that you can see yourself wearing, and get to sewing!Clothes

With these supplies ready to go, you’re equipped for a one-of-a-kind, homemade first day of school!

Sewing Themed Books

Sewing Themed Books

I don’t know about where you live, but in New England, we’ve had a lot of storms this summer. Thankfully, we haven’t lost power. But we’ve been stuck inside quite a bit. That means there’s been lots of time to sew! So much time, in fact, I’m out of projects! Horrors! Has that ever happened to you? It’s left me feeling a bit adrift. There’s another storm going on as I write this and I’m looking at my sewing machine with desire and my heart and no idea what to make. Even my scrap stash is pretty depleted. Boo! So, I’m going to read sewing themed books and mysteries instead! Here’s some of my favorites!

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Southern Sewing Circle Mystery Series

Main character, Victoria “Tori” Sinclair is a transplant to Sweet Briar, SC. She joins the sewing circle and takes a job as head library. The series currently runs to 12 books and it’s highly likely that author Elizabeth Lynn Casey will keep them coming! With all the storms we’ve been having, I can curl up with a cup of tea and finish all 12 books this summer!

Magical Dress Making Series

Texas hospitality, a haunted dress shop and a Manhattan fashion designer. All the elements of a great story! Book six of this series by Melissa Bourbon was released in 2015. Hopefully the rain will stop and I won’t be completely done with the series before she releases the next one!

Deadly Notions Mystery Series

No sewing project is complete without the perfect notions. Turns out, no sewing mystery series is complete without them either! Cate Price weaves tales of Daisy and her husband Joe living in Pennsylvania. Joe renovates their house while Daisy has found her calling working at a quaint shop that sells sewing bits and bobs, antiques and jewelry. Book number three was released in 2015. With the rain raging, I might get through all of these just this week!

At least by reading about sewing I won’t feel like my sewing machine is missing me too much! What are some of your favorite sewing themed books?

Buying Carpets and Books in Pakistan

Buying Carpets and Books in Pakistan

I have a confession to make. A month or so ago when in Pakistan, I bought a $1500.00 carpet. Now, before you think that that is an inordinately high price for a carpet, I just want to say that it’s a handmade Kazakh rug. And I talked the store owner down from his original price of $4000.00, which I think is a pretty admirable demonstration of bargaining skills.

The carpet is a large one, four feet wide by six feet long. It’s made up of a bunch of four-inch squares with intricate multiple geometric and realistic images. It’s also a dimensional rug, having raised yarn borders around the squares. Bulbous tassels adorn the sides. The colors are all muted tans, yellows, golds, burgundies, greens, and blues. Piot, who was at the carpet store with me, said it looked like a rug meant for royalty. I definitely agree.

closeup of one of the squares

closeup of one of the squares

A brief history of Kazakh rugs:

Kazakh, originally a tribal name, is now a town, river and district in Azerbaijan. Carpets made by Kazakhs often feature coarse, long pile and dramatic colors and designs (all of which my carpet has in spades). Using Turkish knots, they’re generally made by Turkic nomads who are now settled. Today, lots of new Kazakh carpets are made in Pakistan inspired by old Caucasian designs. They use yarn dyed from natural vegetable dyes.

Detail of my carpet.

Detail of my carpet.

In Pakistan, you can also find Afghan rugs made by refugees who now reside there. During occupation by the Soviet Union between 1979 and 1992, close to one million Afghans fled their homeland and ended up in Pakistan and Iran. Afghan rugs are known to be durable and well made. They reflect the heritage of a cottage-based industry passed on through generations. Different qualities of pile carpets are available including felted wool ones called Namads, flat non-pile woven rugs called Kilims, and pile and knotted ones made from cotton, silk, and wool. It can take six to nine months to make a hand knotted carpet. When you think of it like that, $1500.00 doesn’t seem so high of a price.

You may be wondering how I managed to negotiate my price down to an amount more than 50% less than the original quoted price. The answer is pretty easy. I was completely prepared to leave the store without buying the carpet. The owner played that game where he asked how much I wanted to pay and had me write it down. I did. And then I refused to budge. He tried to cajole and guilt me into agreeing to a higher amount but I just kept saying no. Finally, our little group of four, gathered up our things and started to walk out the door. At this point, he finally said yes to my $1500.00 and the carpet was mine.

I bought my carpet at Afghan Carpet on School Road in Islamabad. If you are ever there, I encourage you to go visit them in person. They have a very large selection and serve some excellent tea. And they’re always up for a good strong negotiator.

My carpet at home in Harlem.

My carpet at home in Harlem.

This isn’t necessarily sewing related but, Afghan Carpet is down the street from one of the world’s largest bookstores (yes, that’s right, in Islamabad) called Saed’s Book Bank. The store is three stories and 42,000 square feet. They display around 200,000 titles and stock more than four million books throughout its five warehouses. You can literally find most anything there. Saed carries Cosmo and Heavy Metal Magazine, as well as books about Islam and Richard Dawkin’s atheist treatise, The God Delusion. You can find books on Catholicism and queer studies, an English translation of the Quran, maps and travel books, and novels by pretty much any English or American author you can think of. The store is a truly fantastic and amazing place to visit, especially when you consider that it sells predominantly books written in English in a country where that is most people’s second language. The New York Times published a wonderful article a few years ago about the store if you’re interested in reading more.

This is also my little way of saying that people are never wholly their governments and places are often not as scary as most media reports would lead you to believe. And there is truth and beauty and wonderful people wherever you travel, if you take the time to look for it.

Picasso Products for Sewing

Picasso Products for Sewing

Sewing can be a precise art of measurements and strategies. But at times, it’s kind of fun to loosen the standards and try for something less typical—and the results can be quirky and intriguing! This is what I like to refer to as Picasso Sewing. The title is a bit misleading since there’s structure and definition to Picasso’s works, but the idea of odd elements that don’t necessarily fit together is a fair representation of what you could create if you try for a more lenient method of making your next sewing project.

For example, a Picasso throw pillow, which I recently did!

First, I chose fabrics that fit together without matching in the most conventional sense—two patterns that are both based on geometric shapes and lines of color.

Picture 1

The primary colors stand out from one another, but the blue fabric includes a similar pink shade to what’s on the pink. The most distinctive difference between these two fabrics though could be the pieced-together look of the blue fabric. Whereas the pink blocks are solid pieces, the blue ones were already a patchwork design since multiple geometric shapes form the overall design. The fabric choices essentially match in a shared pink color and a general foundation in geometry, but they’re different enough to create a mismatched look.

For the backing, I chose a different pink fabric that comes with elastic-esque lines of fabric.

Picture 2That elastic quality made this fabric a gamble since I didn’t know how the bunched areas would work when the front and back were sewn together, but remember that I was taking risks with this one!

Once I had my out-of-the-fox fabric selected, it was time to start piecing together the front part of my pillow. I chose to go with a patchwork design, but I was lenient with how I put the patches together—and even how I cut them. Basically, I cut out a piece of one fabric, then cut other fabric shapes that were similar, but not necessarily exact, in size. Once I had pieces that looked (to my eye) sensible for a patchwork project—an estimation of approximately 2-3 inches in either direction—I decided on the pattern those pieces would take and started sewing the blocks together.

This is another step where basic sewing strategy was put on a shelf to create something more Picasso than an average throw pillow. I didn’t pin the individual blocks together, and I tugged them so that they fit alongside their neighboring pieces essentially on whims. I just tried to get a good amount of space for each block of fabric, and I didn’t worry too much about making everything exact and organized.

The result was an interesting setup where the blocks were tilted and varied in size, and I love it!Picture 3

I did give a bit more thought to piecing the lines of blocks together by using a handful of straight pins, but the messy appearance still exists in this pillow!

I ended up adding a fourth row of blocks to get the pillow a little bigger (I seriously eye-balled and compared fabric blocks to get every measurement here), but after that, it was time to apply the backing. To do that, I was again unorganized in my methodology. I laid the top layer of the throw pillow on the backing material, then pinched the backing fabric enough to where there would be extra space between the layers for filling.

I only used less than a dozen straight pins to keep the layers of fabric in place as I sewed far enough from the edges of the top layer’s fabric to allow excess material on all sides.Picture 4Next, I sewed along all of those sides until there was one patch of open space left to insert the filling, then finished sewing the rest once the filling was inside. Since I had the elastic element to consider for the backing, at times, I had to allow bumps between stitches to make up for the excess fabric for all of this sewing detail.

After that, I’d intended to shred the edges to make this a raggedy throw pillow, but once I cut off the larger portions of the backing fabric, I found I already liked the raggedy look that the unclean edges brought to the product. So rather than rocking the boat by shredding the ends, I just cut off pieces that *needed* trimming—like excess thread or very shredded parts of the fabric.

There are two details about my process that I’ll mention in addition to this basic strategy. The first is what I used for filling. This is a creation that’s not intended to look or be sophisticated, so I used a series of old shirts to stuff into the pillow. If you’re going for something that’s more concerned with comfort, you might want to try for a more standard filling.

The other detail is that this process, since it ends with a ragged final product, can be forgiving for mistakes because it’s understood to look a little worn. For me, that came in handy because I didn’t leave enough fabric to completely link the patches in at least one spot, causing a gap. Since it’s okay for this pillow to look imperfect, I was able to sew up that spot without worrying that the thread would be seen, then add that thread-repair-look at a couple of other spots that didn’t need it.Picture 5The result seemed like a structural decision to bring that ragged quality to life rather an error in strategy.

The final product is a pillow that’s Picasso-like in its leaning and varied-sized blocks, and so very raggedy with its frayed ends and fake repairs. Had I gone strictly by the books, I might not have come up with something so imperfect looking—and I really would be missing out because I adore this pillow! Picture 6The moral of the story? Don’t be afraid to bring a little imprecision and a lot of Picasso to your sewing to create unique products! Sure, strategy is great, but loosening the guidelines in sewing can be awesome, too!

Sewing Through a Crisis

Sewing Through a Crisis

Like me, I’m sure many of you find sewing to be a relaxing, calming activity. Something about the personal space it affords along with focusing on the details of your project instead of whatever else may be going on is a great relief. When life gets to be too much, I often retreat to my sewing space. It makes sense, then, that when a personal or professional crisis occurs, I’d sew my way through it.

Freelance work

Being a freelancer is a walk on the line between comfort and professional crisis. Not all clients communicate well and sometimes they make changes which impact my income. In some cases, they give me no warning and leave me in panic mode trying to replace the money I made writing for them. As you can imagine, this is stressful. It feels like a crisis.

Crisis mode!

Crisis mode!

Yes, I work hard to replace the income. I spend time seeking new clients, asking existing ones for referrals and going to networking events. But in between these efforts, to keep my sanity in check and my professional demeanor in place, I sew.

I sew anything. It doesn’t have to be a project I’m excited about. In fact, in these moments, it’s often better if it’s something I’m not planning to wear for a special event. That way, I won’t feel any internal pressure to make it come out perfectly.

Scrappy solutions

I sew fabric scraps in my stash pile together to make funky shapes and patterns. Sometimes they get made into a pillow or another decorative piece. Sometimes they don’t. The point isn’t to create a masterpiece. The point is to calm my mind and emotions. It’s to keep me focused and reasonably calm, despite the professional crisis of losing a client and the need to quickly replace the income.

An hour of sewing at lunch gives me the inner peace I need to spend the rest of the day working hard looking for new clients without the grip of anxiety grabbing me at every step.

When you’re facing a crisis, personal or professional, try sewing your way through it. You might just find you’re better able to cope and be the person you, and your loved ones, need you to be.

Fix Your Own Pants

Fix Your Own Pants

As many of you probably know, I work as a tailor and pattern maker for film and television in New York City. I don’t always work on the same show or at the same studio. I’m also, now that I’m old(er) a bit more particular about what projects I say yes to and who I work with.

I’ve got a few fitting related pet peeves like, for instance, when a dress comes back from the fitting room with a note that simply reads: Drop in a Lining or the ever infamous and popular: Take in as pinned (if I didn’t pin it myself). These are just minor annoyances though, compared to the phenomenon of people from other departments (accounting, grip, director, props, whatever) showing up in my sewing space – without ever having met me before – and asking if I can just fix their pants or take in this skirt.

Frustration

First of all, no. I can’t just anything because (1) I’m actually working on something for the show we’re both doing and (2) I don’t want to. Especially if your pants fix involves a worn out crotch (and even if it doesn’t). I don’t randomly show up in the accounting office and ask someone to add my receipts together when they get a chance, or ask one of the props people to rewire an old lamp I bought at the last set dressing sale, or ask the director of photography to take some pictures of me for my tinder profile or something because I’m just not talented enough to take my own. (I’m kidding about the tinder profile thing). And I certainly don’t throw in some disclaimer like I always wished I learned how to take a proper photo.

You’ve got to know when its time to let a thing go.

Sometimes the person will preface their ask with so and so (insert the name of someone else in my department) told me I should ask you. This is even more perturbing if that someone else hasn’t actually sent a text or something asking me if it’s ok to send that person over to me to ask a favor.

It’s not me – it’s you

Fix Your Own Pants

It’s not that I mind doing favors. I really don’t. I do favors for people I like and know all the time. I’ll even do favors for people who I don’t know if they ask nicely and genuinely – and especially if they offer to compensate me in some way (beer!). But if you show up with some blue cotton harem pants with a thread bare bottom that you want repaired when I’m in the middle of cutting down the neckline of a velvet top that is needed on set in about twenty minutes and the first thing out of your mouth is X told me I could have you to do this I’m never going to do it. Your sad pair of pants is going to hang on my work rack until this show wraps.

Why? Because you, whoever you are, you didn’t tell me your name or what you do on this little show of ours, and I’m quite certain that the only person who can have me do anything is the Costume Designer. So, there’s that. Second, if the back of your pants is worn out in the butt area, it might just be time to buy a new pair of pants. You’ve got to know when its time to let a thing go. Seriously, why would you think that someone you don’t even know would want to be that up close and personal with that particular area of your clothing?? I don’t care if they’re clean and, yes, I’ve taken in a countless number of center backs for actors but I’m getting paid to do that. The crotch of your pants? Um, no.

A healthy dose of humility

I personally would be embarrassed to take my worn threadbare butt pants to someone I didn’t know to fix. I honestly don’t understand it. Maybe someone could shed some light on this for me?

I think what upsets me the most about this type of favor-asking is the assumption that I’m not busy doing something else that is important for the show. It’s as if people think I’m just hanging round twiddling my thumbs just waiting for someone to turn up with their personal alteration request so I can sew something.

Anyway. Rant over. I’m going to go upstairs now and see if the accounting department can get an early start on my taxes for next year. I’m sure they’re not doing anything else of importance.

What’s your big sewing related rant?